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Archive for March, 2011

Bill Cunningham: New York

Sunday, March 20th, 2011

If you’ve ever perused the pages of the New York Times Sunday Styles section or read the column “On the Street” you know who Bill Cunningham is.

For the last 35+ years, Bill has helped the Times define street style. Bill bikes around Manhattan to capture what he feels are real people in real clothes, an art in itself to have an eye for the eclectic imagery that may present itself in a color, pattern, texture, or a bias cut which is the beauty of fashion in NYC.

Richard Press’s new documentary opened this week in NYC and he gives us a candid view into Bill’s creative process and personal life bringing us closer to seeing life through his lens, a manual Nikon SLR.

photo credit: Zeitgeist Films official Bill Cunningham New York poster

A documentary definitely worth seeing. Playing at Film Forum through the end of March.

Trailer

Bill Cunningham New York – Trailer (Zeitgeist Films) from ts on Vimeo.

Mobile engagement POV: Use of QR Codes in Healthcare

Sunday, March 13th, 2011


Chances are your brand objective/strategies include a critical success factor such as: “Gaining SOV across emerging digital channels”. One channel you might be expanding into is mobile. Mobile channel engagement offers many ways to leverage a mobile device to deliver customized information requested by a consumer.

QR Codes/2-D Bar codes

One tactical aspect of mobile engagement that has been gaining momentum within consumer marketing efforts over the last year are the use of QR Codes /2-D Bar Codes. (QR= Quick response) This is not new technology. QR Codes/2-D bar codes have been around for decades. You may know them as or refer to them as “UPC symbols” most consumers are familiar with those bar codes since they exist on almost every CPG they purchase.

QR codes are commonly used in Japan. They offer much higher density encoding than standard bar codes and allow for higher amounts of data to be stored, with error correction in cases where parts of the bar codes get damaged/blocked.


When understanding technologies, it’s sometimes best to use a real-world reference to garner the “ah ha…” moment of figuring how to apply that to your own marketing efforts. How have you, a consumer (yes, we are all consumers) used this technology so far?

Ever go to a concert and get your ticket scanned? Board an airplane? Build a registry at Williams Sonoma for your bridal shower? Those are all unique identifiers, to you. Key word= unique, which equates to trackable and measurable.

Did you also know that many hospitals use scanners to register/track medicine from their in-house pharmacies to patients at POC (Point of Care)?


What makes QR Code utilization different now?


For the consumer: The world moves fast, and immediacy has become commonplace in the world of digital tools. Now, virtually every mobile device built on the iOS, Android or RIM platform not only has a camera built into it (including the new iPad2) BUT also have app stores which offer scanning apps like, ScanLife, Bakodo, Red Laser and StickyBits, which offer consumers a direct ON DEMAND connection to information they want.


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A constant redefinition of what media and technology means today

Wednesday, March 9th, 2011

Have you seen the new The MIT Media Lab identity?

The new visual identity is inspired by the community it comprises.

Highly creative people from all kinds of backgrounds come together, inspire each other and collaboratively develop a vision of the future.

This unique offering of the MIT Media Lab is reflected in the logo design. Each of the three shapes stands for one individual’s contribution, the resulting shape represents the outcome of this process: A constant redefinition of what media and technology means today.

The logo is based on a visual system, an algorithm that produces a unique logo for each person, for faculty, staff and students. Each person can claim and own an individual shape and can use it on their business card a personal website.

Video

MIT Media Lab Identity from thegreeneyl on Vimeo.

Date: 2011
Creative Direction & Design: Richard The, E Roon Kang
Programming & Design: Willy Sengewald

per The Green Eyl

1 pages

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